they’d Look Like This
This is the work of lighting designer Lindsey Adelman. Wired Magazine interviewed her at her studio on the Bowery in New York City.
You can see more of her work, and read the article at Wired.
This is the work of lighting designer Lindsey Adelman. Wired Magazine interviewed her at her studio on the Bowery in New York City.
You can see more of her work, and read the article at Wired.
The couture label adapts their fashion design methods in developing pieces for the home with bold patterns.
New York Design Week marked Missoni’s North American debut of their latest furniture collection, and PSFK had the opportunity to speak with Christopher Philips, Brand Manager for Missoni Home: The Americas about the collection’s design.
You can read all about it at the PSFK site. The site also has additional photos of Missoni’s new furniture collection for your viewing pleasure.
Here to inject a big dose of sex appeal into the limp world of residential real estate is Fantastic Frank, a young, Stockholm-based real estate agency that has built a vibrant business model on sleek decor, impeccable photography, and a promiscuous social-media presence. The company hires photographers and stylists from high-gloss industries, including fashion, advertising, and architecture, to transform ho-hum apartments into temples of modern design that wouldn’t seem out of place in the pages of Elle Decor.
Then, Fantastic Frank lobs its photographs around the web, sharing them with design blogs and interior design magazines, in addition to standard-issue property sites. “We’re actually not doing anything radically new,” CEO Tomas Backman tells us. “We’re just using the communication attitude from the fashion and ad agency industries and applying it to the sleeping gray real estate branch.”
What is radically new are the numbers Fantastic Frank is throwing up. “We have looked at official data from Sweden’s largest marketplace for real estate, www.hemnet.se,” Backman says. “We have compared the number of times our ads are shown to the market against the number of times the competition gets its ads shown–and we have on average 50% more people viewing our ads than the competition.” Not bad for a boutique agency that’s just a year and a half old.
“This in turn gives us more people at the open house–there’s always an open house in Sweden, and then a bidding war–and so more people to sell the property to,” he says. “This most certainly given us better prices than the competition, but it’s tricky to measure” because prices vary dramatically from one property to the next.
Fantastic Frank has thrived in Stockholm’s relatively robust housing market. But it stands to reason that, at a time of crisis for many other real estate markets around the world, the Swedish company’s model could be a promising way for agencies to distinguish themselves and, in turn, help homesellers reap greater profits (or at least lose less money). Indeed, Fantastic Frank plans to take its strategy global: “We are not stopping with Stockholm,” Backman says. “Next year we are looking at two new countries. We don’t know where yet. We need to find the right fantastic people first.”